WE DO IT ALL – Sewer & Drain Rodding Clean, Repair, Replace, Install
Offering complete underground plumbing services in Annapolis IL and will access your sewer lines and evaluate the problem before attempting to make any repairs. With a FREE ONSITE ESTIMATE, you’ll know exactly what your sewer repair & backup service will cost before any repairs are started. You will be advised on ways to avoid trying to fix your sewer lines yourself because a number of things could go wrong and make the problem worse. You might also be surprised how quickly and efficiently the expert plumbers work to get your sewer lines working properly.
FREE ONSITE ESTIMATES
Clogged drain and sewer lines cleared of all blockages. We clear every blockage. High Pressure water jet cleaning in Annapolis to keep drain and sewer lines free longer.
Video: Sewer Line Repair vs. Sewer Line Replacement -- Pros & Cons
Video: Affordable Trenchless & Pipe Lining Video -Sewer line repair
6 Signals you might have a Sewer Problem in Annapolis IL:
- Bad odor coming out from floor drains
- Backed up / Clogged Toilets, Sinks, Showers, Bathtubs
- Overflowing Toilets
- Gurgling Toilet
- Basement Flooding
- Toilet paper appearing near downspouts
Common Annapolis Sewer Problems:
- Trees roots grow into main sewer lines
- Accumulation of Kitchen Grease / Oil being put down the drain
- Overflowing Toilets
- Feminine Hygiene Product Clogs
- Pipes Collapsing or Settling
- Underground Gas / Water Construction
We Do it All!
- Drain Rootering / Rodding
- Sewer Rodding
- Catch Basin Pumping
- Drain Repair
- Grease Trap Pumping
- Hydro Jetting Service – High Pressure Water
- Power Rodding
- Video Camera Inspection
- Preventative Maintenance
Music of Annapolis
In the 1710s in the colonial United States, a number of singing schools arose, beginning in New England and spreading into Maryland by 1764, beginning in Annapolis. These singing schools met in the evenings, with a singing master leading the education of both youth and adults in the basics of musical performance, including note-reading and part-singing, and the particulars of Christian hymns. Most singing masters were educated only in other singing schools, and not in any sort of formal music education. Many singing masters were itinerant travelers.
Though Annapolis was the first town in Maryland to be home to a singing school, they became common, first in Baltimore and then throughout the state, after the Revolutionary War. The first was at St. Anne's Anglican Church in Annapolis, in 1764, led by singing master Phillip Williams, who taught psalmody in four parts. Though Williams, being itinerant, left Annapolis after only one year, he was replaced by a new singing master, Hugh Maguire, the following year.
After the Revolutionary War, singing school activities began diminishing throughout Maryland, including Annapolis. The only noted singing master during this time was Alexander Gray, in 1786, and possibly for some time thereafter.
During the colonial era, Annapolis was one of the larger cities in North America, and was home to an organization called the Tuesday Club, which documented musical activity in the city in more detail than any other record of its kind. The club was founded in 1745 by Alexander Hamilton in imitation of similar clubs in Edinburgh, specifically the Whin-Bush Club. Music was not initially the major focus of the group, but it soon came to specialize in musical activities at biweekly meetings known as sederunts. Both original vocal and instrumental material and published compositions were a part of the Tuesday Club's repertoire, including Scottish and English folksongs, and English theatrical pieces. Among the club's members was Jonas Green, printer of the Maryland Gazette and publisher of music books, and Thomas Bacon, the club's most renowned composer whose works were very much in the European model. No compositions from the club gained significant acclaim outside of the city.
The music of the Tuesday Club was expressly and purposely European in character, as the members wished to emulate the acknowledged masters of the Western classical music tradition. However, unlike classical music, performances were recreational in nature rather than artistic, the music composed by members of the Club being entirely casual, and probably never intended for outside consumption. The corpus of the club's output constitutes the earliest known American secular music. Instrumentation included the French horn, flute, cello, viola and harpsichord.